Emilie Gallier

Tactile enunciations, rhythm and reading

Two workshops in one space.
Two rivers spill into each other. Each body of water has a unique rhythm, temperature, and composition, so the process of mixing is gradual and dynamic. Confluence involves collision, resistance, and mediation – in context. We (Teoma Naccarato and Emilie Gallier) explore confluences across analog and digital materialities, through tactile gazing and listening between partners, and with objects. Using stethoscopes and transducers, we play with how sounds from the body and environment can be (re)materialized and (re)distributed as haptic feedback in the surfaces of paper and skin. We share practices that involve breathing and sensorial exercises as a way to tune the act of reading into a tactile activity. As we listen and read, the channels of confluence multiply and overflow, leading us to examine moments of dissonance and interruption within collective practice and creation.

Key interests: Rhythm, Attending the imagination of others, Listening, Reading, Dreaming, Materialities, Analog-Digital.

Teoma J. Naccarato (Montréal, Canada / London, UK) is a choreographer and interdisciplinary arts researcher. Through her collaborative creations for stage and installation, she explores the appropriation of surveillance and biomedical technologies in contemporary dance and performance. Her work proposes promiscuous encounters between participants, human and nonhuman, to provoke intimacy, vulnerability, and uncertainty. She has shared choreography internationally, with recent presentations of Experience #1167, Synchronism, and X. Naccarato has an MFA in Dance from the Ohio State University, and is presently pursuing a practice-based PhD at the Centre for Dance Research (C-DaRE) at Coventry University.

confluences confluences confluences confluences confluences confluences

12 October 2017, C-DaRE Practice Group, Centre for Dance Research Coventry
2 March 2017, CLOUD, The Hague
9 December 2016, Dance Fields Postgraduate Unsymposium, Centre for Dance REsearch [C-DaRE] Coventry University