Emilie Gallier


2020, ‘Papier incomestible’ De Nieuwedansbibliotheek
2019, ‘Oneindig Vouwen’, in Theatermaker, Mai 2019, pp 30-31 oneindigvouwen
2018, ‘Dramaturgy of Attention, from Absorption to Distance. Being Implicated in the Events of Other People's Imaginations’, in A World of Muscle, Bone & Organs: Research and Scholarship in Dance, ed. Ellis, Blades, Waelde, C-DaRE Coventry University, pp 15-29 aworldof
2018, ‘Read. Move. Implicated.' , in Artistic Research, Is There Some Method?, ed. Jobertova, Koubova, Academy of Performing Arts Prague, pp 122-143 artisticresearch
2015, ‘Notation for the audience – the reading movement as way to implicate spectators’, in On An/Notations, Performance Research, vol. 20 issue 6, pp 12-16 onannotations

2015, ‘Some thoughts on the intensive project’, in Practicing Composition: Making Practice, Helsinki: University of the Arts, pp 121-122 practicingcomposition

2015, ‘Choreographic Writing and the Reading Movement’, in Danswetenschap in Nederland – deel 8, Amsterdam: Vereniging voor Dansonderzoek, pp 132-137 vdo

2015, ‘Remembrance park 14-18: the landscape as a score for the choreography of memory’, in Disaster and its aftermath, Journal of landscape architecture, pp 38-47 jola

Da Silva, Joao, Emilie Gallier, and Konstantina Georgelou (2013) Inventing Futures, Doing and thinking artistic research with(in) the Master of choreography programme of ArtEZ Institute of the Arts, the Netherlands, Arnhem: ArtEZPress inventingfutures

Gallier, Emilie, Jannah Loontjens and Daniël Rovers (2012) sync, Nijmegen: Wintertuin, Generale Oost & ArtEZ
Rovers Daniel (2012), Views from the back of the head, in sync, Nijmegen: Wintertuin, Generale Oost & ArtEZ sync

2012, The Dorsal fin of Choreography: Writing performs – notation and spectatorship dorsalfin